Most of George Zavala's
residencies engage students in some kind of interviewing activity. Since
students are often creating images based on their own traditions, they
are usually given an assignment to interview family members or community
residents. To begin working on interviewing skills, George starts with
a classroom interviewing activity. Listening Exercise benefits:
Writing an artist's statement gives students an opportunity to reflect on their work during the residency and describe the materials, techniques, process, and ideas that they used in their artwork. In their artist's statement students describe in words what they were trying to say visually or through movement or theater. The student below wrote his artist statement based on his work in the Chinese lantern residency with George Zavala. He responded to the following prompt in his City Lore journal: "Describe your artwork during this project. What materials, movements, spoken lines, props, or music did you use? What steps did you take in creating the work? What did you learn, and what ideas and feelings were you trying to express? Sample Student Artists Statement: "I used bamboo sticks for the frames and special paper, paint, and ideas. I put all these things together and I made a Chinese lantern. My name is Edwin. Sometimes my teacher Mrs. Katsoulis put [Chinese] music on so we could listen while we worked. I put my culture and heritage in the lantern. It tells stories and things from Colombia. Some of the drawings are symbols. I learned that sharing my heritage can be fun. I can express my thoughts and knowledge. I was trying to express what I felt and I put it into the lantern. Like I want peace for Colombia. And the history of Colombia, like Simon Bolivar rescued most of South America from the Spanish army. That is what I felt during this project. That's what the lanterns that lit up Class 4-212 taught me and made me feel." Every session of a residency, if possible, should include time for closure, where students can ask questions, offer suggestions, and reflect on what they have learned. At the very least there should be a closure at the end of the entire residency. *A.R.T.S., Inc. Chinese Designs and Symbols. A.R.T.S., Inc., l982. Chinese Information and Culture Center, 1230 Avenue of the Americas, Second Floor, New York, NY 10020. www.taipei.org. Their library has a free, beautifully illustrated resource box on all aspects of traditional Chinese culture, ranging from dance to puppetry. Call 212-373-1841. *Him Mark Lai, Genny Lim, and Judy Yung. Island: Poetry and History of Chinese Immigrants on Angel Island, l910-l940. University of Washington Press, l980. Hume, Lotta Carswell. Favorite Children's Stories from China and Tibet. Charles E. Tuttle Col., l989. *Shiah Mann. Chinese New Year. A.R.T.S., Inc., l976. Shiah Mann. Paper Lanterns. A.R.T.S., Inc., 1974. Stepanchuk, Carol and Charles Wong. Mooncakes and Hungry Ghosts: Festivals of China. China Books and Periodicals, l991. * Stepanchuk, Carol. Red Eggs & Dragon Boats: Celebrating Chinese Festivals. Pacific View Press, 1994. Zhang Tong. Legends of Tang Chinese Traditional Festivals. Dolphin Publishers, l997. *Available from the Culture Catalog
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