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Webography
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Webography
The
Oregon Story: Agricultural Workers (http://www.opb.org/programs/oregonstory)
From Oregon Public Broadcasting, "The Oregon Story" series
explores Oregon's ever-changing social, cultural, and economic relationships
with the land. Each story is supplemented by an online site that provides
additional facts, educational tools, and a starting point for further
discovery.
The
Oregon Story: Agricultural Workers, Education Program (http://www.opb.org/programs/oregonstory/tribal_econ/intro.htm)
This online Education Guide includes activities and resources that
supplement the Oregon Public Broadcasting video program "The Oregon
Story: Tribal Economy."
How
Beet Sugar Is Madethe Basic Story (www.sucrose.com/lbeet.html)
White beet sugar is made from the beets in a single process, rather
than the two steps involved with cane sugar. After visiting this interesting,
clearly written site, you'll have an understanding of how the sugar in
that bowl in your kitchen was made.
United Farm Workers (www.ufw.org)
Includes history and audio clips of César Chávez, who
secured basic working standards for agricultural workers.
Oregon Council on the
Humanities (http://www.oregonhum.org/index.html)
The Oregon Council for the Humanities seeks to improve the quality
of life for Oregonians by providing
programs that enrich minds and broaden perspectives, foster positive human
relationships, encourage civility and good citizenship, and bring together
the diverse peoples who make up our statewide culture.
Oregon Historical Society
(http://www.ohs.org)
Oregon Historical Society is engaged in promoting the understanding
of how history enriches and helps guide our lives. The staff works to
further the institutional mission to "collect, preserve, exhibit,
publish, and make available materials of historical character and interest,
and collaborate with other groups and individuals with similar aims."
Pesticide Action
Network (www.panna.org/panna)
Master's
of Ceremony: Traditional Artists and Life Passages (http://www.ohs.org/exhibitions/moc/shell.htm)
A virtual exhibit that looks at how weas cultures and individualsmark
life passages and how traditional art, rituals, and stories communicate
knowledge about transitions from one phase of life to the next. Eva is
one of the highlighted masters.
Africa's
Legacy in Mexico (http://educate.si.edu/migrations/legacy/alm.html)
People from every country in the world have migrated to new towns, cities,
countries, and continents. Take a look at this photo essay from the Smithsonian
Institution on people of African descent in Mexico.
Bibliography
Gamboa, Erasmo and Carolyn M. Buan, Eds. 1995. Nosotros:
the Hispanic People of Oregon.
Portland: Oregon Council for the Humanities.
Salcedo, Michele.
1997. Quinceañera:
The Essential Guide to Planning the Perfect Sweet Fifteen Celebration.
New York: Henry Holt.
Sunshine, Catherine and Deborah Menkart. 1991. Caribbean
Connections: Overview of Regional History. (available from the CARTS
Culture Catalog!)
Although this book is about a different region of the Americas, the
harvesting and manufacturing of sugar has played a central role in the
economic and social development of the region, just as it has in Nyssa,
Oregon.
Identidad y Fronteras/Borders
and Identity (available from the CARTS
Culture Catalog!)
Produced by the Office of Folklife and Cultural Heritage at the Smithsonian
Institution, this bilingual teachers' resource guide explores the complex
notion of identity along the United States/Mexico border. Sections on
history, belief, expressive arts, occupational traditions, and "Your
community" provide rich content and ideas for examining the complex
mixing of cultures along border lands as well as students' own ideas about
cultural identity and community. Includes a 4-part video filmed at the
Smithsonian's Festival of American Folklife which featured United States/Mexican
border culture, a poster-size cultural map, and a teacher/student guide
with activities for classroom use.
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A mural in Nyssa
depicting Snake River Valley
Photo courtesy
of Oregon Historical Society
Photographer: Marilyn Moore
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