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Welcome
to Eva's Casita Studio GenesisWhere Beautiful Things Happen
Wonderful
people introduced me to art. Now I know that my parents were artists
all through their bones. My dad would go to the river and get tree limbs
and start to forge a chair with his machete. Then he'd make his own
paint from plants he collected. While he was doing that, my mother would
go out and get reeds to weave the seat for the chair. One was working
in one corner and the other one was in the other corner, and they would
start singing corridos (Mexican ballads) at each other, just out of
their hearts, you know. Nothing was written down. So I grew up around
that. Eva Castellanoz
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Corona
made by Eva
Traditionally,
all Mexican coronas were composed of orange blossomssmall,
closed, white buds that symbolize purity and chastity. Now, however,
brides request a wide variety of flowers.
Photo courtesy of Oregon Historical Society
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When
Eva Castellanoz was growing up, she was surrounded by art. Her parents
considered art a natural part of daily life, like working, cooking,
playing, and relaxing. They also enjoyed the way that artparticularly
the folk art they madeconnected them to their cultural traditions.
Eva's parents used the themes and meaning of Mexican art to teach cultural
and moral values to their children.
For example, they used azhares to teach Eva and her sister about
the values a young woman should have. Azhares are the values
of chastity, innocence, and strength that are symbolized by the wax
flower bouquets and coronas (crowns) that women wear to special
events or that adorn women during life passages of baptism, first Holy
Communion, quinceañeras
(a girl's fifteenth birthday), and marriage.
Eva's
formal entry into the art world dates from her visit to Guadalajara,
Mexico. She was 25 years old and was visiting her husband's family.
While there, she watched a man in the street making wax flowers. Although
Eva watched the man for only a short time, she felt inspired to learn
to make these flowers herself. Both live flowers and paper flowers are
used extensively in Mexican celebrations. Back at home, with a lot of
hard work and patience, she taught herself to make wax flowers and elaborate
wax flower crowns and bouquets. Eva is now a master corona maker
in Oregon where she works in a casita, or studio, that she built next
to her house and named "Studio GenesisWhere Beautiful Things
Happen."
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Step-by-Step
for Students & Teachers
To Eva, making wax
flowers is a spiritual act as well as a physical task. While she is
forming her flowers, she prays for the new couple, the young woman entering
adult life, or the newborn baby. She feels honored to have participated
in these special events, and she believes that the person carrying her
bouquet or wearing her corona will transform the inanimate flowers,
giving them life and making them beautiful.
Eva makes flowers
for eight to twelve events a year. While friends have encouraged her
to market her work outside Nyssa, she insists on working with clients
she knows personally, and she believes in charging people what they
can afford.
(Gamboa, E and
C. Baun. 1995. Nosotros. p98)
Corona de azhares
is very important in our culture. It is symbolic of purity, chastity,
and innocence. It starts in baptism and goes onto Holy Communion,
quinceañeras, and marriage. It speaks. This art has a voice.
Children
have lots of fun doing this art. I have worked in many schools doing
this with children and all of them make beautiful flowers and have
a very good time doing it. All of my children know how to do this
art and they help me share it with others. I have done an apprenticeship
with one of my granddaughters. Her name is Erika Luz Castellanoz.
And my granddaughter Maria Isabel Ramirez did all her quinceañera
things herself with just a little help from me.
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Arte
Popular
Folk art, or arte popular, is widely practiced throughout
Latin America. Since pre-Hispanic times, folk artists have helped
to establish and maintain the cultural traditions of their people
through the decorative, ceremonial, and utilitarian objects they
make. In this way, they play a vital role as chroniclers of the
community.
Latino
artists who have moved to the Pacific Northwest have brought with
them this common emphasis on the public, celebratory nature of
art as well as the cultural traditions of their various societies.
In Oregon, Latin American folk artistsmany from Mexicoserve
as caretakers of artistic traditions from their hometowns. As
such, they provide an important link between the past and present
and a reaffirmation of their community's Latino identity. (Gamboa,
E. and C. Buan. 1995. Nosotros. p97)
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Eva
holding a corona
Photo courtesy of Oregon Historical Society |
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Eva
in her studio
Photo courtesy of Oregon Historical Society
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Eva
making azhares, paper and wax flowers
Photo courtesy of Oregon Council for
the Humanities
Photographer: Jan Boles |
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Once
the flowers are made, they can go into a styrofoam wreath.
Photo courtesy of Oregon Council for the Humanities
Photographer: Jan Boles |
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To make paper and
wax flowers, you will need specific ingredients and directions, as follows:
Ingredients
- An old, deep fry
pan
- Thermometer
- Old candles in
light colors, such as pink, white, and light yellow (Dark colors do
not work as well.)
- Several pieces
of thin wire (available from craft store)
- Several pieces
of thick wire-covered in thread (available at craft store or florist)
- Scissors
- Floral tape (green
or brown)
- Crepe paper in
light colors
Directions for making flowers
1. Cut the crepe paper into four-inch pieces. You will need eight to ten
pieces for each flower.
2. Cut each of these
pieces of paper into petals.
3. Roll two of the
petals into each other for the flower's center. Make small, tight rolls
for closed blossoms, and loose rolls for more open blossoms.
4. Add the other petals
around the center.
5. Tie your flower at the bottom with a piece of thin wire.
6. Wrap a piece of thick wire around the thin wire. The thicker wire will
allow you to form the stem and help it stand erect in a bouquet.
7. Wrap the thick
wire in the floral tape to cover the wire. The floral tape creates a neat,
more realistic presentation. If you'd like, you can wrap the thick wire
with crepe paper instead.
8. Once your flowers
are made, you're ready to begin the process of dipping them in wax-which
makes them look like porecelain! Take out your wax candles and melt them
in your pan. The temperature of the wax should be 120 degrees or 125 degrees
Fahrenheit.
8. Dip a flower into
the wax, and then shake off the excess wax.
9. Dip your flower
a total of three times, letting it cool after each dipping.
10. Lay out your flowers and arrange them into a bouquet, wreath, or lasso.
Directions for
making azhares
Azhares are the symbols of chastity and purity. They are closed
buds made by dipping thread-covered wire into wax. The repeated dipping
forms tear-shaped buds. A corona for baptism and first Holy Communion
is made only of these wax budsanywhere from 300 to 1000 of them!
Sometimes Eva creates
little buds of azhares that have pistils in them. Using a razor
blade, she makes four incisions while the wax is still warm. She then
puts a little hand-made pistil in the middle.
1. Cut a piece of
thin, thread-covered wire into three inches. One at a time, dip pieces
of wire into the wax until the wax forms a tear-shaped bud on the wire.
(Note: You need to dip each wire into the wax separately. The result will
not be as beautiful if you dip three or four at a time.)
2. Group the azhares into bunches of three or four.
3. Once you're done
making the azhares, you can add them to the paper and wax flowers
you made earlier, or you can make a corona of only azhares.
"I can better transmit this doing it face-to-face. Maybe one day
I'll come to where you are and we can make these together and talk about
it. Anyone can make and enjoy these beautiful flowers. Thank You!"
-Eva
Castellanoz
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